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Tina Gonsalves (AU) is currently honorary artist in residence at the Wellcome Department of Neurology at University College London.Combining diagnostic imaging, biometric sensors and mobile technologies, her installations, films for television, and software investigate emotional signatures both within the body and among interactive audiences.Emotion expression databases such as Karolinska and Ekman databases are commonly used with in affective neuroscientific experiments.The artist started to question the validity of these performed emotions as stimuli.
The system consists of the real cards made of paper.
All of these presentations were very well received with lively Q&A periods.
Next day, June 28, "Super-Embodiment of Woman Artists in Media Arts" was presented by Irina Aristarkhova, Nina Czegledy and Elena Kovylina.
Irina noted in her introduction that "Nudity and the Nude - have become key issues in contemporary art, theory and politics.
Women artists face what Foucault called 'hysteriarization of female body', while men artists face an issue of 'absent male body' (Kelly Oliver) and respond to it with various strategies.
Case histories of media art were presented including "I am a robot" by Boryana Dragoeva Rossa (Bulgaria) and "Reality Resonance" by Erika Katalina Pasztor (Hungary), followed by the outstanding Russian performance artist Elena Kovylina, showing her "Pick a Girl" video performance featured at the Sydney Biennale 2006.