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14-Sep-2017 04:23

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In the popular imagination, the art critic seems a commanding figure, making and breaking careers at will, but one hard look at today’s contemporary art system reveals this notion to be delusional.When I entered the art world, famous critics had an aura of power, recalls Art Basel director Samuel Keller.Bode, Bredius and de Groot were usually owners of the works they published and the corpus of Rembrandt's work is very affected by their interest, they sold a large number of works to public collections and downgraded many master works as being by pupils.The 3 of them admired the "Man of the Golden Helmet" (presently recognized as not by the master) as his total masterwork.His life's work has been estimated at 600,000 blows of the auctioneer's ivory mallet, from the hat Napoleon wore at Wagram to the Planetarium of the Palais de la Découverte, by way of various Rembrandts; and thanks to him the Hôtel Drouot became the leading salesroom of Europe.He directed some legendary sales, like that of King Farouk's possessions, or the will of Louis XIV.................................................................................................................................................................................................................... He left museums, working as a private expert for German and foreign art dealers, enjoying the protection of Nazi Reichmarshall Hermann Goering (1893-1946) whose art collection he helped advise.

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- He owned and lost a famous carved skull or mexican origin that turned out to be a fake.Now they’re more like philosophers—respected, but not as powerful as collectors, dealers or curators.Nobody fears critics any more, which is a real danger sign for the profession....................................................................................................................................................................................................................Florentine artists like Cimabue and Giotto started the ball rolling. “See his work and you never need to see any other.” Great mistakes: - Vasari describes the portrait of Mona Lisa as "unfinished." - Many mistakes in "attributed to..." - Florentine Art was the only and real art.

Then came a second generation of geniuses: Brunelleschi, Donatello, Botticelli, Ghiberti. - Nature was not interesting, only the human figure.The first great art historian (1511-1574) Italian painter, architect, and writer.



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